I was raised in a country [South Africa] with a lot of political turmoil. I was part of a culture and a generation that suppressed people and lived under apartheid regimes. I don't know how you can come out of that and not have an awareness for the world. I think that if my life had turned out any other way and I was working in a bank, I would still feel this way about it, because there's a connection to humanity that to me is really important.

We don't live the lives of Eskimos. We don't need to kill animals for fashion.

I like being a cog in a wheel. I like being a small aspect of a much bigger thing, and I think my interest in that takes the pressure of myself.

I grew up during apartheid; there was never a day in South Africa that was just great. I love that I've had success as an actor and producer, but I know the thing my children will know most about is the work I've done with HIV. Success in life is all about humanity.

I met a woman in Albuquerque and she came and hung out with me in the trailer. It was really just more to kind of really understand my biggest concern was always the interrogation scenes. Remember, that's why I really wanted to meet somebody because you see those scenes on TV so much.

I do have a sense of fear every day going to work, but I think it's something that I like. I mean I do like the feeling of waking up on my own, having this moment of like: "Oh, f**k, I hope I can do this today!" Because it makes you realise that you're working with material or you're working with a director or you're working with a cast and they're keeping you on your toes.

The idea of stuff just hanging in my closet and not being used - there's a little bit of the African in me that gets bothered by that [somewhat].