Beauty is more than skin deep.

So I did that for a long time in my career, and I waited for parts to play myself just physically down a little bit. But I do feel like I'm at a place in my career now where I don't necessarily fret about that too much anymore.

I was pretty much a mess out of primary school. I really experienced a lot more of that stuff from the ages of seven to twelve, where there was a really popular girl at my school, and I was obsessed with her, like you'd go to jail for that stuff today. I'm so embarrassed to say this, but I was in tears one day, because I couldn't sit next to her.

I try to hang on to as much mystery as possible. How can we go through our lives not wanting to have any element of surprise?’

It [Hancock] happens to be a big budget film and big star like Will Smith, but it actually has a lot of weight to it. But it was very smart and very intelligent and had this kind of historical element to it that I was fascinated by. It's not silly. It's not stupid. It's fun, but I think it's smart. I think Akiva [Goldsman] writes really interesting material and there you have it.

I mean, I'm new but I've always been very interested in film making process and I've been lucky enough to work with film makers in my past that have been very encouraging to let me hang around. I get so emotionally vested - that the producer part of me was natural.

I don't want to live in a world with blinders on.