Boys don't really like big nerdy glasses. Not so much.

I'd be unbelievably wrong to say there isn't such a thing as the right place, right time-luck.

I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the ­envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.

You know, I don't think any mother aims to be a single mom. I didn't wish for that, but it happened.

I think actors who know their job know that's how you do it. You don't show up and make people miserable. That poor grip who's standing there, he just wants to feed his family. He doesn't need to hear about your psychosis on life and love and death.

I love that old glamour look. I think it's because I grew up on it.

I've always known I wanted a family.