There's nothing I despise more than people trying to be something that they're not.

I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the ­envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.

I've never been a fan of labels. I think its very easy to kind of look at somebody and just kind of throw a label on them 'They're crazy.'

I really love having an awareness.

When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.

I tend to ... if I decide to do a job, want to be able to trust my director...

I like what I do, and I'm very fortunate now to be in a very nice place. Which is that I don't have to work anymore. So the work that I do now is purely because I really want to.