I think of myself as a highly sexual creature.

I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the ­envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.

I'm always open to a relationship, but I'm not putting those feelers out there now.

I have very talented people dress me and put my makeup on, stuff like that. But I do love that look, and I think it's maybe because I grew up on that old glamour.

It's ironic that we've built the beauty world around 20-year-olds, when they have no f - kin' concept about wisdom, what life is about, having a few relationships below [their] belt and feeling hardships, to grow into [their] skin and feel confident within [themselves] and to feel the value of who [they] are, not because of a man or because of something like that. And I think that's such a beautiful thing.

When I find something that I really like and I can get it off, then I put my time and energy into that. It is a lot of work....

I like hard work. I like putting the effort towards it and then being able to look at it and go, "All right, I did that."