I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the ­envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.

Life is what you make it... and nowhere close to making mine the best it can be.

I've always been comfortable with my sexuality. I'm blessed to have been raised by a woman who never made me feel ashamed about what's underneath my clothes. That's a part of me and I don't run away from it.

I've seen people talk about how they stopped polio, that was a generation that came together and said, "Let's do this." I think in the AIDS community we've become so complacent in that, it's like we just plateaued... We've completely neglected a whole young generation that is now highly infected.

And I was victim to that very early in my career, where I would go into auditions, and I'd be wearing a big T shirt, a big baggy T shirt and loose jeans. You know, to try and show people that there was more to me than just that.

It's ironic that we've built the beauty world around 20-year-olds, when they have no f - kin' concept about wisdom, what life is about, having a few relationships below [their] belt and feeling hardships, to grow into [their] skin and feel confident within [themselves] and to feel the value of who [they] are, not because of a man or because of something like that. And I think that's such a beautiful thing.

There's always been a celebration of what is that moment, whoever I am at that moment in my life. [It] is a very real way of looking at beauty.