I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the ­envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.

A while back there was this fad where a big star [would get] a producing credit and you'd ask around, and people were like, "No, they didn't produce, they just took the credit." I was flabbergasted. So when I started, people were weirded out by the fact that I was like, "How long is our prep? I'll come a week before that." They were like, "We're not shooting for six weeks."

I was raised with the idea that you can feel sorry for yourself, but then, get over it, because it doesn't get you anywhere. There was always this awareness that you have to be responsible for yourself in order to have what you want

I didn't grow up with a mother telling me what was under my clothes was bad or evil.

Right now the institution of marriage feels very one-sided, and I want to live in a country where we all have equal rights. I have so many friends who are gays and lesbians who would so badly want to get married, that I wouldn't be able to sleep with myself [if I got married before they could].

I know what I'm capable of wearing in one lifetime and what I really need.

When a person lives a very happy life they become beautiful.