I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the ­envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.

I treat my relationships like marriages. The ceremony isn't that important to me.

Other than vaccines and finding a cure, most funding goes toward putting people on treatment. That's completely valid and I understand that, but it's never how we're going to stop AIDS.

And I was victim to that very early in my career, where I would go into auditions, and I'd be wearing a big T shirt, a big baggy T shirt and loose jeans. You know, to try and show people that there was more to me than just that.

I met a woman in Albuquerque and she came and hung out with me in the trailer. It was really just more to kind of really understand my biggest concern was always the interrogation scenes. Remember, that's why I really wanted to meet somebody because you see those scenes on TV so much.

Blade Runner was an incredibly influential movie, in terms of the way that it envisioned what the future was going to look like.

My interests still are my interests. That doesn't make me a bad mother. I think that makes me a really good mother, because when I go and creatively satisfy myself and those interests, I come home satisfied.