I think that the role of curating an exhibition is to reanimate history and make it relevant to a contemporary viewer.

The limitation of the vlog format is that it may seem to give people enough, when they actually have no real autonomy.

Every time you enter a space, you are on public display. Nothing is private.

I love bells, clocks, watches - and I recall that at first photographic implements were related to techniques of cabinetmaking and the machinery of precision: cameras, in short, were clocks for seeing.

The real beauty of the time we're living through is that we can deploy our self-image in ways that can have radical social implications.

Photography is, and has been since its conception, a fabulously broad church. Contemporary practice demonstrates that the medium can be a prompt, a process, a vehicle, a collective pursuit, and not just the physical end product of solitary artists' endeavors.

More platform-sensitive generations will make distinctions between online and in-person intimacy, whereas fourteen-year-olds have very nuanced online selves and might embody their virtual identity in the physical, analogue version of themselves. They have a much more pluralistic understanding of the self. I don't think we'd be here now in this amazing sexual and gender revolution without the online space where young people can see and share other versions of identity and sexuality.