When I moved to Paris in the '70s, there wasn't very much going on in film in England. So when I started doing French films, there was a natural movement toward the kind of films I wanted to do. It wasn't the reason I came, but it so happened that I stepped into a time and place that actually corresponded to what I wanted. That sometimes happens in life. And it was rather beautiful.

What beauty brings is huge. It brings great privilege, great power and potential to do many things. If you are beautiful, doors open for you; people smile at you; you are accepted in places where others aren't. So the relationship that people have with beauty, in a sense, is almost deforming.

I know I have great inner strength; I always have. I can blank things out, cut people out, and I know that I can go and live in a cave on my own if necessary.

You become more and more charged with your life and with a life that you're observing. When I was younger, I was actually looking forward to getting older, to have more insight, more understanding. I'm much more tolerant with others and with myself. I'm not in rebellion all the time, I'm not angry so much. But all those feelings are really useful [when you're young] because they fire us, as long as they don't get out of control.

I can occupy myself quite easily with what's going on inside me.

To grieve is something extremely difficult, we don't even know how to begin to grieve, and I don't know how you can be taught to grieve.

I know a lot about fear in itself, and lived with fear a lot. Lived with anxiety a lot, lived with the things that - most human beings, at some stage in their lives, are going to live with these feelings.