There are moments when things just break apart and not really for very valid reasons, either. But they just change your life and make you go in different directions.

Cinema d'auteur, cinema about people, about emotions. About la difficulté d'être, the difficulty of being, existential problems. That's what the nouvelle vague is. The early '60s was all about that.

I've lived through deaths in my family and I've lived through separations in my family so those are the big ones. Those are the ones that press the biggest buttons in human beings' lives.

I felt very special in Paris, more special than I felt in London. I love London for different reasons. I've always been close to London, being English. But somehow there's something special about living as an Englishwoman in Paris.

I can be seen as not being very communicative, or rather mysterious, or distant, or rather cold - all those things. Yeah, I know I can give off that impression. So I am that, too.

Training is fabulous because it gives you a basis, a strong structure, so that when you're unbelievably nervous and you think that you can't get a word out, you will get the word out.

I'd had a French education for three years, my father being in the army. From 9 to 12, I went to French school. I've been sort of part of the culture, part of the geography, since I was quite young - the imprint was there. And I loved it.