The big studio era is from the coming of sound until 1950, until I came in ... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking.

In recent years, anyone in the government, certainly anyone in the FBI or the CIA, or recently, in again, Clint's film, In the Line of Fire, the main bad guy is the chief advisor to the president.

I've been a public person for most of my life. It has advantages and disadvantages. I can't take my kids to Disneyland. On the other hand, I can get a table at a restaurant or tickets to a play.

I believe that we are again engaged in a great civil war, a cultural way that's about to hijack your birthright to think and say what resides in your heart. I fear you no longer trust the pulsing lifeblood of liberty inside you... the stuff that made this country rise from wilderness into the miracle that it is.

I simply cannot stand by and watch a right guaranteed by the Constitution of the United States come under attack from those who either can't understand it, don't like the sound of it, or find themselves too philosophically squeamish to see why it remains the first among equals: Because it is the right we turn to when all else fails. That's why the Second Amendment is America's first freedom.

I've used too many pistols in too many movies. They're kind of heavy to carry.

Sometimes, to be silent is to be most eloquent.