In industry, we are now concentrating our best effort in trying to make plants work at a maximum capacity, trying to replace the equipment which is in bad conditions due to lack of spare parts from the U.S.., that we cannot get from the U.S.; to extend our industry later on the basis of our primary resources. And to lessen our dependence on external markets and dedicate our efforts in 1965 to the aspect of security and hygiene of work, to make our plants better for the worker: that the worker may feel really a man there.

Words that do not match deeds are not important.

Everyday you have to fight so that love for humanity can be transformed into concrete deeds, into acts that set an example, that mobilize.

The spectacular landscape circling the fortress supplies an essential backdrop, inspiring dreamers to wander its ruins for the sake of it; North American tourists, bound down by their practical world view, are able to place those members of the disintegrating tribes they may have seen in their travels among these once-living walls, unaware of the moral distance separating them, since only the semi-indigenous spirit of the South American can grasp the subtle differences.

This is the Cuzco asking you to pull on your armor and, mounted on the ample back of a powerful horse, cleave a path through the defenseless flesh of a naked Indian flock whose human wall collapses and disappears beneath the four hooves of the galloping beast.

The monopoly capitalists - even while employing purely empirical methods - weave around art a complicated web which converts it into a willing tool. The superstructure of society ordains the type of art in which the artist has to be educated. Rebels are subdued by its machinery and only rare talents may create their own work. The rest become shameless hacks or are crushed.

We have a lot of friends, but not among the governments - the friends are in the peoples. And in the last instance the peoples will be the rulers of those states.