The monopoly capitalists - even while employing purely empirical methods - weave around art a complicated web which converts it into a willing tool. The superstructure of society ordains the type of art in which the artist has to be educated. Rebels are subdued by its machinery and only rare talents may create their own work. The rest become shameless hacks or are crushed.

The walls of the educational system must come down. Education should not be a privilege, so the children of those who have money can study.

I wanted to take part in the liberation of even a small piece of enslaved Latin America.

The inflow of capital from the developed countries is the prerequisite for the establishment of economic dependence. This inflow takes various forms: loans granted on onerous terms; investments that place a given country in the power of the investors; almost total technological subordination of the dependent country to the developed country; control of a country's foreign trade by the big international monopolies; and in extreme cases, the use of force as an economic weapon in support of the other forms of exploitation.

We have no right to believe that freedom can be won without struggle.

If you have the capacity to tremble with indignation every time that an injustice is committed in the world, then we are comrades.

...I also know - and this won't alter the course of history or your personal view of me - that you will die with a clenched fist and a tense jaw, the epitome of hatred and struggle, because you are not a symbol (some inanimate example) but a genuine member of the society to be destroyed; the spirit of the beehive speaks through your mouth and motivates your actions. You are as useful as I am, but you are not aware of how useful your contribution is to the society that sacrifices you.