I wanted each different Chelsea to be able to navigate her own world without having to also speak to a larger narrative.

I don't really like to write anywhere but my own apartment. I send a lot of text messages to myself as email when I'm not at home. My texts are usually like, "If I ever break up with my boyfriend I want to date a very angry rapper."

When I was going through the stuff with my dad and thinking about terms like restraining order and domestic violence, I was really just searching for a way to define what I was going through. I didn't really understand what it meant to disown a parent or not want to have a parent in your life. Even the word parent was confusing to me because my father came into my life so late in my teen years.

I have hundreds of Word documents filled with pages of one-liners. If I begin to write a story, or if one of my thoughts leads to more than a couple paragraphs of writing, I'll go into these documents and pull out lines that I think would work with it.

I basically have two ways I start writing. Either I'll start with something about myself, or something that happened to me that seemed important, or I'll start with some idea I have that doesn't have much to do with me. But one will always lead to the other.

In fiction you can make up everything to create the feeling. You can manufacture a story with whatever tools you want. With nonfiction you have to rely on what actually happened to describe what you're feeling. That's hard. You have to know what will feed into the emotion you're trying to convey. And that's hard because you don't necessarily know what causes your emotions.

It's uncomfortable to just say the first thing that pops into your head, but you have to when you're speaking in front of people. A lot of times I'll say something I don't even believe. I've never actually used "pass" before.