I was re-experiencing these things that happened a long time ago, and I'm trying to relive it now, and I'm bringing all of my current motivations and personality into that which were not there at the time. It's hard to remember exactly who I was when I was ten, fifteen.

I like being around funny people.

In fiction you can make up everything to create the feeling. You can manufacture a story with whatever tools you want. With nonfiction you have to rely on what actually happened to describe what you're feeling. That's hard. You have to know what will feed into the emotion you're trying to convey. And that's hard because you don't necessarily know what causes your emotions.

I don't know how to talk about technology in a positive or negative way because it's just the way the world is to me. It seems like talking about the advantages of breathing through holes in our face instead of holes that lead more directly to the lungs.

I think I've been able to express some of the more complicated feelings I had.

I love anybody funny. I think my ten-year-old sister is really funny. She makes me laugh way more than most people do.

The thing about writing or making art is that I'm not thinking about that stuff while I'm doing it. Like the driver's ed kid, in retrospect I see that that was meaningful, and I felt close to him in that way, but at the time I just thought it was fun to draw, and that's all it was. I think that's what's weird about life and about making art. You have to talk about it later. I guess I should be prepared to talk about it now. That is why I'm here. But again, pass.