I prefer not to overthink things because I think if I did I would never end up releasing anything. I tend to just follow my instincts when it comes to imagery or whatever is inspiring me. I just fit it together in a weird way, and I have to let it go at some point or else I would hold onto it forever.

I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.

I was really inspired by intense nature and landscapes, and I'm always inspired by open spaces and giving room for things to grow sound-wise and visually. I have a bit of claustrophobia myself which I think translates into my music.

I was always really interested in the reality of things - the two sides to every story - and I always had a darker perspective on things. Even as a kid I would watch the world news for hours just to get a sense of what was going on in the world.

I prefer not to overthink things because I think if I did I would never end up releasing anything. I tend to just follow my instincts when it comes to imagery or whatever is inspiring me. I just fit it together in a weird way, and I have to let it go at some point or else I would hold onto it forever.

I wish I could be invisible and just play music and not have to worry about anyone looking at me.

Once I re-approached music I had to do it in a way that wasn't so personal for me to feel comfortable releasing it into the world. Well, of course some of them are, but I would never talk in an interview about exactly what a song is about. I like to keep my music and my life separate.