It's because I do see sex as sacred and potentially spiritual that I believe in commercializing it and making this potentially holy experience more easily available to all.

The best paid sex can still be really great and really intense, but, you know, without the emotional passion there, it's not going to be quite at the same level as the best unpaid sex.

One of the significant reasons why women who are trafficked and forced to work as prostitutes often don't want to come forward is because they're worried they'll be deported. If the police are certain that a woman has been trafficked and forced into prostitution, then perhaps we should automatically allow her citizenship.

I think the thinking is, in the comic books, I should pack as much onto a page as possible, because, you know, it's kind of the cheaper format, and you want to give readers as much as you can for their dollar.

We couldn't be making as much money, if we had to deal with stranger behaviour. And right now, anybody who slows down our economic productivity, off they go. We have a place for them, the psychiatric institution. That's the main thing, they slow things down.

Almost every scene, I re-think as Im about to start drawing it, and at least half of the time Im changing dialogue or whatever, or adding scenes or different things.

It occurs to me that there's been a relatively recent tendency in the media to see prostitutes as victims and johns as exploiters. I don't think most prostitutes see themselves as victims or see their clients as exploiters, but that way of seeing prostitutes and johns is pretty common now outside of sex-work circles, and it's more shameful to be the exploiter than the exploited.