I always write too long in the beginning, then it is a matter of going through it over and over again on subsequent drafts, looking for anything that slows down the narrative. It can be hard, cutting out parts I love, but I try to make the book as tight as possible so that the reader doesn't get bored.

Before I start a book, I talk over my characters with a friend who is a counselor. I like to make sure I have the right dynamics in place and understand each character's belief system, fears, coping mechanisms and things like that.

I always write too long in the beginning, then it is a matter of going through it over and over again on subsequent drafts, looking for anything that slows down the narrative. It can be hard, cutting out parts I love, but I try to make the book as tight as possible so that the reader doesn't get bored.

My [story] outlines are usually about 5-6 pages long. I'm essentially telling myself the story in short form. I try to make it clear who the major characters are, what they want, and what obstacles they face.

Read everything you can on writing. Join online forums and critique groups, go to conferences, get feedback, and learn, learn, learn!

For me, it's important that I experience and feel what the characters are feeling. So I put myself in those moments, in their thoughts, and let it happen naturally. I write what I feel.

That first shrink I saw when I got back to Clayton Falls told me no one is a lost cause, but I think that’s bullshit. I think people can be so crushed, so broken, that they’ll never be anything more than a fragment of a whole person.