My one thing is I continue to be interested and want to be a student. I don't want to be a master. When I'm learning something, I'm in my element.

Every time I see a musician - it doesn't matter what age - that inspires me, there's always a secret little wish that maybe we'll play together, because that's how I learn and grow and so forth, you know. But hopefully there's a lot more.

You'll find little schools of musicians experimenting with different ways of making music in Brooklyn, all through Manhattan, in Queens, in Jersey, you know? The city is still bubbling with creativity.

My dad was all about music. He was a musician, leading a band when I was born. His band was active all through the 40s. He'd started it in the late 20s and 30s. According to the scrapbook, his band was doing quite well around the Boston area. During the Depression they were on radio. It was a jazz-oriented band. He was a trumpet player, and he wrote and arranged for the band. He taught me how to play the piano and read music, and taught me what he knew of standard tunes and so forth. It was a fantastic way to come up in music.

I enjoy playing the band as the band. I be the whole band and Im playing the drums, Im playing the guitar, Im playing the saxophone. To me, the most wonderful thing about playing music is that.

Miles Davis was a part of my life from 1947 on. I was born in 1941 and I first heard him in 1947 on a 78 rpm. And then I followed his career, starting with his first solo album in 1951. He was an icon and inspiration and a mentor to me.

You've got to create the space, then fill it.