The problem with gender is that it prescribes how we should be, rather than recognising how we are.

I think my first general rule is that most of my experiences are not that interesting. It's usually other people's experiences. It's not that entirely conscious. Somebody tells me a story or, you know, repeats an anecdote that somebody else told them and I just feel like I have to write it down so I don't forget - that means for me, something made it fiction-worthy. Interesting things never happen to me, so maybe two or three times when they do, I have to use them, so I write them down.

Power is the ability not just to tell the story of another person, but to make it the definitive story of that person.

If I were not African, I wonder whether it would be clear to me that Africa is a place where the people do not need limp gifts of fish but sturdy fishing rods and fair access to the pond. I wonder whether I would realize that while African nations have a failure of leadership, they also have dynamic people with agency and voices.

There were people thrice her size on the Trenton platform and she looked admiringly at one of them, a woman in a very short skirt. She thought nothing of slender legs shown off in miniskirts--it was safe and easy, after all, to display legs of which the world approved--but the fat woman's act was about the quiet conviction that one shared only with oneself, a sense of rightness that others failed to see.

The problem with gender is that it prescribes how we should be rather than recognizing how we are. Imagine how much happier we would be, how much freer to be our true individual selves, if we didn't have the weight of gender expectations.

Creative writing programmes are not very necessary. They just exist so that people like us can make a living.