He was already looking at their relationship through the lens of the past tense. It puzzled her, the ability of romantic love to mutate, how quickly a loved one could become a stranger. Where did the love go? Perhaps real love was familial, somehow, linked to blood, since love for children did not die as romantic love did.

I don't believe that art and politics or social issues must be separated. In writing about marriage, for example, money can be a big factor, and money is linked to earning, and earning is influenced by politics.

The novels I love, the ones I remember, the ones I re-read, have an empathetic human quality, or 'emotional truth'. This quality is difficult to fully define, but I always recognise it when I see it: it is different from honesty and more resilient than fact, something that exists not in the kind of fiction that explains but in the kind that shows.

We teach girls shame; close your legs, cover yourself, we make them feel as though by being born female they're already guilty of something.

When the writing is going well, I'm obsessive. I don't shower, I don't take phone calls, I hardly respond to text messages, I don't do email. I take breaks only to read, and usually I read poetry. When it's not going well, I just lie in bed and eat chocolate.

Culture does not make people - people make culture. So if it is in fact true that the full humanity of women is not our culture, we must make it our culture. [...] A feminist is a man or a woman who says, 'yes there is a problem with gender as it is today and we must fix it. We must do better.'

I write from real life. I am an unrepentant eavesdropper and a collector of stories. I record bits of overheard dialogue.