I think my first general rule is that most of my experiences are not that interesting. It's usually other people's experiences. It's not that entirely conscious. Somebody tells me a story or, you know, repeats an anecdote that somebody else told them and I just feel like I have to write it down so I don't forget - that means for me, something made it fiction-worthy. Interesting things never happen to me, so maybe two or three times when they do, I have to use them, so I write them down.

The only reason race matters is because of racism.

When I'm in a good mood I like to cook. But I don't like saying it in public because I find myself being resentful of the idea; "Now you will make a good wife. You can cook, right?" So when people ask me I go, "No, I don't like cooking!"

The novels I love, the ones I remember, the ones I re-read, have an empathetic human quality, or 'emotional truth'. This quality is difficult to fully define, but I always recognise it when I see it: it is different from honesty and more resilient than fact, something that exists not in the kind of fiction that explains but in the kind that shows.

Power is the ability not just to tell the story of another person, but to make it the definitive story of that person.

Culture does not make people - people make culture. So if it is in fact true that the full humanity of women is not our culture, we must make it our culture. [...] A feminist is a man or a woman who says, 'yes there is a problem with gender as it is today and we must fix it. We must do better.'

The problem with gender is that it prescribes how we should be, rather than recognising how we are.