My parents were hippies, and the story is that they went through a dictionary looking for a beautiful word to name me. They nearly called me Banyan, but flipped a few pages on and reached "China," thankfully. The other reason they liked it is that "china" is Cockney rhyming slang for "mate." People say "my old china," meaning "my old mate," because "china plate" rhymes with "mate.

Old stories would tell how Weavers would kill each other over aesthetic disagreements, such as whether it was prettier to destroy an army of a thousand men or to leave it be, or whether a particular dandelion should or should not be plucked. For a Weaver, to think was to think aesthetically. To act - to Weave - was to bring about more pleasing patterns. They did not eat physical food: they seemed to subsist on the appreciation of beauty.

I think the role of science fiction is not at all to prophesy. I think it is to tell interesting, vivid, strange stories that at their best are dreamlike intense versions and visions of today.

I'll tell you, I've never particularly been a Trek person. I feel about Trek the way one feels about known, vaguely liked, but rather distant members of one's family.

Any moment called NOW is always full of possibles.

In time, in time they tell me, I'll not feel so bad. I don't want time to heal me. There's a reason I'm like this. I want time to set me ugly and knotted with loss of you, marking me. I won't smooth you away. I can't say goodbye.

In the deepest places, where physical norms collapse under the crushing water, bodies still fall softly through the dark, days after their vessels have capsized. They decay on their long journey down. Nothing will hit the black sand at the bottom of the world but algae-covered bones.