My position is that serious and good art has always existed to help, to serve, humanity. Not to indict. I don’t see how art can be called art if its purpose is to frustrate humanity. To make humanity uncomfortable, yes. But intrinsically to be against humanity, that I don’t take.

Just think of the work you've set yourself to do, and do it as well as you can.

An old woman is always uneasy when dry bones are mentioned in a proverb

Naming is like putting a stamp on something and fixing it. A kind of formaldehyde sort of fixation, but it becomes dead, sitting there forever, frozen. So, I'm not a great one for these modernist, post modernist, post colonial labels. I think they serve certain purpose. You do need some kind of sign post here and there, but it can also become an end in itself.

If someone said, I want to translate your novel into Igbo, I would say, Go ahead. But when I write in the Igbo language, I write my own dialect. I write some poetry in that dialect.

I try as hard as possible not to be pessimistic because I have never thought or believed that creating a Nigerian nation would be easy; I have always known that it was going to be a very tough job. But I never really thought that it would be this tough. And what's going on now, which is a subjection of this potentially great country to a clique of military adventurers and a political class that they have completely corrupted - this is really quite appalling. The suffering that they have unleashed on millions of people is quite intolerable.

Generally, I don't attempt to produce a certain number of words a day. The discipline is to work whether you are producing a lot or not, because the day you produce a lot is not necessarily the day you do your best work. So it's trying to do it as regularly as you can without making it - without imposing too rigid a timetable on your self. That would be my ideal.