There is something about important stories that is not just the message, but also the way that message is conveyed, the arrangement of the words, the felicity of the language. So it's really a balance between your commitment, whether it's political or economic or whatever, and your craft as an artist.

People create stories create people; or rather stories create people create stories.

We cannot trample upon the humanity of others without devaluing our own. The Igbo, always practical, put it concretely in their proverb Onye ji onye n'ani ji onwe ya: 'He who will hold another down in the mud must stay in the mud to keep him down.'

Writing is like wrestling; you are wrestling with ideas and with the story. There is a lot of energy required. At the same time, it is exciting. So it is both difficult and easy. What you must accept is that your life is not going to be the same while you are writing. I have said in the kind of exaggerated manner of writers and prophets that writing, for me, is like receiving a term of imprisonment-you know that's what you're in for, for whatever time it takes.

There is a certain increase in the importance I assign to women in getting us out of the mess that we are in, which is a reflection of the role of women in my traditional culture - that they do not interfere in politics until men really make such a mess that the society is unable to go backward or forward. Then women will move in.

When suffering knocks at your door and you say there is no seat for him, he tells you not to worry because he has brought his own stool.

When an old man dies, a library burns to the ground.