I didn't get any college credit for playing in Vampire Weekend, you know. So it was definitely an early hurdle to get over with C.T. winning and us losing to C.T.. But I think sorta since then, in the four years since, we've managed to pave everything over.

I sent a lot of the e-mails out to venues and tried to get shows and tried to get people interested in it. It can be a tough thing, because you know these people at venues are getting e-mails like that every day, but I think just my experience in working in running a radio station.

I'm not really much of a prankster, but I've definitely been pranked. I never really liked being pranked, so I generally try not to prank people.

When you're a music director, you have people constantly sending you music and trying to get - I mean, I'm sure you have the exact same thing when you do a magazine - that you have people constantly wanting to get your attention. And I think I learnt a lot from being on that end of things, when I was trying to book the tour, the first tour we did.

I guess in general, because it's such a popular trend in mainstream American pop, that there's been some kind of negative reaction to it. But at the same time, it's a really interesting effect and really interesting texture, and a lot of credit goes to Rostam for producing our music, and all the work that he puts into it, and just trying different things. Ezra did a vocal take, Rostam threw auto-tune on it, and we all liked the way it sounded.

Sometimes if I go to a show, someone will recognize me. But the neighborhood I live in, there's so many people who are in successful bands that it's really not a big deal. And I like that. I like the energy of going to lunch with a friend, seeing the three dudes from Yeasayer walking in, and saying hi to them. I think that's neat.

I found in general, I got involved in that station toward the end of my freshmen year, and I just loved how there's this incredible library of music that I'd never heard of from all over the world and different genres.