You shouldn't need 60 full minutes to create a portrait that an audience doesn't forget. You should be able to make an impression that's lasting and resonant with one scene.

You can always find contradictions and hope, in hopeless circumstances, and a sense of redemption in somebody who makes the same mistake, over and over. So far, so good. That's how I put it.

You shouldn't need 60 full minutes to create a portrait that an audience doesn't forget. You should be able to make an impression that's lasting and resonant with one scene.

I love any challenge that comes my way, and I've been lucky to have many.

I'm not a guy who likes cliches. I don't think that stereotypes and cliches are the end of the line, when it comes to a performance.

I'm not one of those actors who sits around the table and intellectualizing anything, or discusses much of anything. Everything for me is intuitive and instinctive.

I've just always been a fan of really fringy, outsider things, and I've always been a balloon in the wind, in terms of where that takes me.