I'm the kind of guy who would say, "Yeah, I'll do that!," and then, when it came down to it, I would be absolutely petrified. Those days have passed me by, but I would do it. If it meant that I was in a scene naked with a woman, or anybody romantic, I'd be into it.

Every angle that I looked at was somebody who I admired and was better than me. So it made me very afraid.

I'm not one of those actors who sits around the table and intellectualizing anything, or discusses much of anything. Everything for me is intuitive and instinctive.

You can always find contradictions and hope, in hopeless circumstances, and a sense of redemption in somebody who makes the same mistake, over and over. So far, so good. That's how I put it.

You shouldn't need 60 full minutes to create a portrait that an audience doesn't forget. You should be able to make an impression that's lasting and resonant with one scene.

The idea of a regular-looking guy who is the lead of something - whether it's a movie or a show - is something that I really hope I can grow towards.

I'm the kind of guy who would say, "Yeah, I'll do that!," and then, when it came down to it, I would be absolutely petrified. Those days have passed me by, but I would do it. If it meant that I was in a scene naked with a woman, or anybody romantic, I'd be into it.