At this point in time the war [ WWII] is close enough to still feel hotly personal to a writer, yet far enough away so that jingoism and heroics are no longer required.

What is an adventure? That depends on where you are starting from. Little girls in your country, they hide in the gap between the washing machine and the refrigerator and they make believe they are in the jungle, with green snakes and monkeys all around them. Me and my sister, we used to hide in a gap in the jungle, with green snakes and monkeys all around us, and make believe that we had a washing machine and a refrigerator. You live in a world of machines and you dream off things with beating hearts. We dream of machines, because we see where beating hearts have left us.

Yet war doesn't end with armistice, it only ends with forgiveness and reconciliation.

I like to push characters to extremes so they have to make really tough decisions and there is no life more extreme than that of an athlete.

My maternal grandmother was in London during the Blitz. Indeed, the man she was dating before she met my grandfather was killed beside her in a cinema, in 1941, when a bomb came through the roof - a tragedy in which she herself was badly wounded.

On the girl's brown legs there were many small white scars. I was thinking, Do those scars cover the whole of you, like the stars and the moons on your dress? I thought that would be pretty too, and I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived.

We no longer need to show people being brave: instead, we can examine how they became brave. We can assume that they didn't start out that way. If we allow that they started out just like us, then their journey into courage becomes both more fascinating and more impressive.