If you are trying to think ahead musically, it is not going to help you. It is better to ignore what is happening melodically and just look at the little dots coming at you and the corresponding colors and try to do it at the right time.

My brother brought home 'At San Quentin' when I was about 7, and we played it over and over again.

I'm pretty critical, but I'm also pretty good at letting go once it's done. There's this existential argument that comes in, at some point, when you're over-thinking the songwriting process. There's no guarantee that the more time you spend or the more you concentrate on certain aspects that that's going to produce a better result, especially in the arts. Some of the most brilliant things that someone might do could happen in three minutes because it's something that just occurs to them.

If you are trying to think ahead musically, it is not going to help you. It is better to ignore what is happening melodically and just look at the little dots coming at you and the corresponding colors and try to do it at the right time.

I actually think to some degree that people are down for longer shows with an acoustic show.

In the United States, workouts tend to focus on body image and how you look. For me, it's really all about the brain.

If I had a musical identity that was definable then it would be time to get into painting or something else. Race car driving.