It's nice that I can go on the road and there are more people to buy tickets. There are also more people to piss off who might not buy a ticket if I say the wrong thing. But I have to remember that if I stifle what my gut tells me to say in the name of "What if that person doesn't buy a ticket someday?" that's just not how I came up or how I thought. I have to consciously remind myself that even though things are going better now, I still have to be who I've always been. I can't get gun shy or scared about that.

The thing that I like about public-access is that I am often in the middle of chaos.

Life gave me a weird path to walk and it wasn't a very traditional path and that's good, I enjoyed it greatly. But I don't think that it was anybody's traditional definition of success but I really am thankful for it.

I think public access television has more to do with my career than anything else in the world. And that's a system that's been around of many decades and is something that people think is so outdated that they don't even think it still exists.

The whole romanticized sad clown thing, we have to get rid of that. That has to go. That's just getting sick people to voluntarily stay sicker and sadder than they have to be.

I have the words "Lose Well" on my shoulder. It's kind of a catchphrase that sprung up from my TV show at some point. It's this idea that at a certain point, if you're a loser you've got to own that. It's pretty okay to strike out in life. Just get good at it and hold your head up high. If you're a loser, that's what you are and be cool with it.

I'm actually in a funny place now where I'm more secure than I've ever been. My career is more stable than it's ever been and that's nice, but it's put this thought in my mind where I'm like, "I have more to lose now." I still have to remind myself that I can't be quiet and back away from the things that have got me here, which is kind of doing it my way and not necessarily caring what the consequences are. A lot of that comes back to music.