I'm not good at math. Numbers are a terrifying thing to me. My father is a whiz with money and the stock market, and he tries to explain it to me, and I find it terrifying.

When young comedians ask me for advice that's the one thing I always say is if they're improvisers I'm like do improv, don't make that your sole thing. And at the end of the day when you do your best work you also just kinda, by definition flush it down the toilet and never do it again.

Everyone needs some trial and error figuring out how it's gonna work for them. I could have gotten that out of the way a little sooner but I think you're totally right, the way I kind of think about things and the way I wanted to put myself out there doesn't fit the traditional side of things. I needed things like podcasts and YouTube and things that allow you to get it out there yourself and stand in the flames.

The world of entertainment is built for big money. It's not built for small-scale projects that sustain themselves.

There was a lot of soul searching and at the end of the day I looked back and realized it was all worth it and successful in its own way and it's led to me having this career that's much more in my hands and in my control than it would have been otherwise.

I'm actually in a funny place now where I'm more secure than I've ever been. My career is more stable than it's ever been and that's nice, but it's put this thought in my mind where I'm like, "I have more to lose now." I still have to remind myself that I can't be quiet and back away from the things that have got me here, which is kind of doing it my way and not necessarily caring what the consequences are. A lot of that comes back to music.

We've switched to text messages, we do anything we can to avoid being on the phone.