We are planes, trains, and automobiles, and we're always hauling stuff up these tiny cobblestone streets, so the more mobile you are, the better.

The show is escapism. If you look back to when I was in college, all the girls in the sorority houses were gathered around watching soap operas. That was the escapism, the show that was giving you something you couldn't have. Now, you go into any sorority house, there are 50 to 100 girls piled in watching The Bachelor. We are the modern-day soap opera.

I always liken it to being a referee - if you notice the referee, that's not a good thing.

My wildest tipping point moment came when I was introduced to Clint Eastwood. He was sitting there, typical Clint Eastwood, wearing a white T-shirt and jeans, holding a Budweiser. He looks at me and says, "I watch your show from time to time." I just stopped. I was like, "I can't even think about that. I'm not even sure if I'm happy about that."

It was a very odd transition I guess because I didn't really intend for it to happen; it wasn't a goal of mine to end up in Hollywood and do anything other than sportscasting.

My kids have never known me not working on The Bachelor. But they've lived in Paris and Italy and been to Hawaii and Bora-Bora with me, and it's incredible to me that they've had these experiences.

I think it's a confusing, tough thing. I mean, I can imagine in this situation. Being a single dad myself now and trying to do the right thing in your children's eyes and in the eyes of your friends and family and all that and then at the other end of the spectrum, you're also trying to date and you want to be yourself and you want to let go.