You have a visceral, physical response to being in [the real] places, and the sights and sounds and the smells just bring something else out in you. You're not having to fake that or imagine that. It's there. It becomes as much an act of something you bounce off as the other people you're working with.

Here's your opportunity, now you've got to make something of it.

You have a visceral, physical response to being in [the real] places, and the sights and sounds and the smells just bring something else out in you. You're not having to fake that or imagine that. It's there. It becomes as much an act of something you bounce off as the other people you're working with.

I feel like I'm ready for any dangerous situation that might come my way, provided I have a hammer on me.

I actually find it harder to act in the scenes where there's not much happening, say having a milkshake in the diner. That is far harder to do than straight scenes where there's a drama going on and you have something to do

It is often difficult to watch yourself onscreen, especially 60-feet high. As an actor, it is an uncomfortable experience.

My mum always used to say to me that, out of her three boys, 'Chris, you were the girl!' I'd speak to her about far more things (than my brothers would) and far more things than she needed to hear about, too. I was a chatty kid.