The real power of comics is writing as you draw.

Whereas in a memory you edit things out and sort of restructure the things to seem a little bit more heroic, or to focus on particular aspects that magnify or reduce certain things.

As a cartoonist, my single goal is to create people with whom, for better or for worse - and regardless of how embarrassing it sounds - I can "fall in love" and somehow feel something deeply about, and through.

Comics is different than writing because when you draw something you are trying to visualize it and you are trying to put yourself in that space. And when you're drawing something, all sorts of associations come up in my mind that I never would have thought of otherwise.

I don't think there's any independent cartoonist whose stuff I don't like or respect in at least some way or another. We're all marginal laborers - we're practically medical oddities - so I don't see why we can't all be nice to each other.

I guess we all make choices as to how we want to live, right?

I was used to being disliked as a kid. Not that I didn't deserve it: I was a pretty sad and unappealing creature, and still am, I guess. It's sort of simplistic to think that one tries to make stuff that accounts for one's repulsiveness as a person, but there's some truth to it. So, when I read something unfavorable, I always take it deeply personally. It's as if my efforts have been in vain, and I should just quit.