You win the Oscar, you get to go into just about anybody's office for a month. I had a lot of meetings.

For me, part of the fascination with making animation is you go to a place; it's a complete immersion in someone else's fantasy.

You look at Japan and Hayao Miyazaki's films are the biggest films ever made in Japan; domestically there and they play to critical acclaim around the world. He won't put more then 5 or 10 percent computer imagery in his movies. It's disappointing to me. It's a silly choice that some studios made to move out of animation. It's part of the unfortuneate preconception that I think the public has going into see animation.

You win the Oscar, you get to go into just about anybody's office for a month. I had a lot of meetings.

What made 'Ice Age' work is that it had its shiny candy coatings, but inside was a soft, creamy center.

I grew up watching classic animation, and I have always felt that the roots of animation is in fantasy and taking it in places that you can't go, any other way.

Animation has always been about technology. You can't have animation without technology.