I just want to keep working. Longevity is really important. I am extremely passionate about what I do and the happiest I am is when I'm on set working. I suppose longevity and respect. It takes longevity to earn respect.

Going from 'Shark Night' to 'Piranha,' a guy holding a fish on a stick in front of you that they're going to replace in post-production, it's a lot different than seeing this animatronic shark that, if you get caught up in the moment, looks, acts and you sometimes think could be real.

Read the script as a fan and try to create this community in your head. That's the thing that a lot of people tend to forget - it's not just about your character. Even if you're a lead, you're still supporting the supporting the entire story.

I'm an artist; I love everyone.

In a film you only get two hours to do this big arc and so you have to pick and choose your moments carefully, but with television you get to take your time and just take it episode by episode and discover new things.

My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.

When people are rude to other people. When people belittle other people. Bullies really bother me a lot. A lot, a lot.