The difference between a regular camera and a 3D camera, for an actor, is really no different except that the turn-arounds are longer. It takes a lot longer to set up a shot because the cinematographer is really trying to set up a whole world, so it can't be more intricate and more beautiful to the viewers, in 3D.

I guess that's the oddest personality trait for me - I'm too dumb and naïve to ever really be nervous about anything. I just don't take it all that seriously. I'm much more happy to go home and lay on the couch and watch I Dream of Jeannie with my fiancée and our dog.

I'm an artist; I love everyone.

My favorite scary movie was always 'Halloween.' I love that there's hidden emotion underneath Michael Myers' psychotic behavior. Plus, he has the best mask, hands-down.

In a film you only get two hours to do this big arc and so you have to pick and choose your moments carefully, but with television you get to take your time and just take it episode by episode and discover new things.

It's just so much more fun to play bad than good. Plus it's just good to get that out of your system so it doesn't show up in your personal life.

My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.