I like Madonna a lot. I think she's really good and I think she's a good singer. I think she looks good and she's got a nice kind of... I don't think she's got a sinister or cynical vibe around her, and I don't think she's got any sort of bullshit around her.

The so-called feminist writers were disgusted with me. I did my thing, and so I guess by feminist standards I'm a feminist. That suits me fine.

Let's face it, we do have this mating instinct that just won't quit, you know? Just when you think it's safe to come out, there it is again. You're driving down the street, and it's the last thing on your mind, and all of a sudden you're like, "Oh, he looks nice," and you're up a lamppost.

The Clash were innovative, radical and helped drive a change in music that was ground-breaking. In comparison to some of the music today they sounded like they meant it. I still listen to their music today to remind myself what music made with commitment sounds like.

The thing about Janis is that she just looked so unique, an ugly duckling dressed as a princess, fearlessly so. Seeing her live was like watching a boxing match. Her performance was so in your face and electrifying that it really put you right there in the moment. There you were living your nice little life in the suburbs and suddenly there was this train wreck, and it was Janis.

No amount of false propaganda can sanitize meat.

What characterized the whole punk scene for me in 1977 was there was no racism or sexism. It was an anarchy of -isms, and a matter of abolishing it all.