I won't kill you but I don't have to save you.

The blue collar milieu was something that I really understood and resonated with me and I thought was underrepresented in American cinema.

A lot of actors say that theater's the thing for them. And that's great, and I'm not one to speak with any authority about it because of not having done it properly. For me, movies are what I love.

You get those occasional moments when you're absolutely calm, and you've just done something that would have scared you shitless earlier that day, and you've just done it like it was nothing. I find that very relaxing.

I know a lot of other actors that don't like to look at other references to their characters and things. But I like it. I always look at everything, I read all the books. I read Dieter's "Escape from Laos." I watched the documentary again and again and again. I recorded it just to listen to him a lot. I just don't suffer from feeling like I'm getting caught into an imitation. I just feel like I want to steal some good stuff if it's in there.

Certainly I have no attraction to misery. I don't intentionally go for dark.

You have to make an effort to be in an unprotected environment because everyone thinks you're a completely incapable idiot who couldn't possibly brush his teeth without an assistant. You have to make an effort in order to be able to actually experience the country that you're in.