What the hell kind of man decides to dress up as a bat and run around the city? There's got to be something a little bit loose in there.

I'm not an actor that tends to care. I don't ask "Is this a close up? Is this a master? Is this a wide? What are you doing?" If I look up and notice the camera I go "Oh, it's a big one today, must be an IMAX." And that's kinda it for me because it doesn't affect what I'm doing.

Whatever you do, do it completely. Don't do it half-arsed. Do it more than anybody else would.

I feel like I'm pretty good but I don't like to toot my own horn, you know. I want to let the work speak for itself and kind of move on to the next thing.

I ain't the first on the list that people are sending scripts to. I'm very lucky. I've managed to put myself in the position with some directors, yes, who will be calling me directly, and we're working on things and talking about things, but that's on a purely creative level. And then you go and have to deal with the financial level.

It's about pursuing it rather than waiting to see what comes along.

I've always believed that the director does whatever the hell he wants. That's what you sign on for as an actor - I can't stand it when you have actors who are trying to leverage directors into doing things they don't want to do.