When I was four or five years old, I heard a lot of stories about the Holocaust because both my parents were survivors. I'm sure that was very important in my life. My father snuck out from under the floorboards to make love to my mother. I can't imagine why they kept me.

It's pretentious to say, but my art is like a little Zen story, a story with a question mark at the end. People can take from it what they need. If somebody says, "Your art is very funny," I say, "You are totally right." If somebody says, "Your art is very sad," I say, "You are totally right." In Japan they say, "Your art is very Japanese, you even look Japanese.Your great-grandfather was most surely a Japanese man." And I say, "You are totally right."

I like looking at the finger of God. Why it takes one and not another, why this one or that one, why now or why then. The finger of God is always on us. When you get older and you see your friends dying around you, you say "Why not me?" That machine is always there.

Photography is used to give evidence, and the evidence is always deceiving.

I was lucky to be born during the time of minimalism. I think I can be colder because of this. In form I speak with minimalism but my feeling is sentimental - I am a sentimental minimalist.

I never take photographs myself. I don’t feel like a photographer, more like a recycler

There are very few times in creation in your life. One time is when you become an adult, one time is when your parents die, and the other time is when you are very old.