When I was four or five years old, I heard a lot of stories about the Holocaust because both my parents were survivors. I'm sure that was very important in my life. My father snuck out from under the floorboards to make love to my mother. I can't imagine why they kept me.

The fact that you were born means that there are no other children born because of you – you’ve killed them in a way.

The more you work, the less you exist. I believe (at least, I used to believe, because I no longer think this is entirely true) that the artist is like someone carrying a mirror in which everyone can look and recognize themselves, so that the person who carries the mirror ends up being nothing.

... in the eyes of its visitors, Venice has no reality of its own. Anyone visiting the place has already seen so many pictures of it that they can only attempt to view it via these clichés, and they take home photographs of Venice that are similar to the ones they already knew. Venice [is] becoming like one of those painted backdrops that photographers use in their studio.

Every time I ask questions about sex, I always end up asking questions about death.

I never take photographs myself. I don’t feel like a photographer, more like a recycler

In most of my photographic pieces I have manipulated the quality of the evidence that people assign to photography, in order to subvert it, or to show that photography lies - that what it conveys is not reality but a set of cultural codes.