But the thing is if you've got an hour to sit down in front of a television, then the likelihood is that you've probably got two hours. So why wouldn't you, if you're enjoying it not want to watch the other one? And so, this is the future. Ten episodes at once is what everyone wants, and then it's up to you how you spread those out

Ultimately, if the character is interesting and you said that before: It doesn't matter if it's likable. That's really what it is. If they interest you. If the context in which the characters are set interests you then I think then you're pulled in by it.

But the thing is if you've got an hour to sit down in front of a television, then the likelihood is that you've probably got two hours. So why wouldn't you, if you're enjoying it not want to watch the other one? And so, this is the future. Ten episodes at once is what everyone wants, and then it's up to you how you spread those out

I don't think you have to like a character, but if you can understand why they do what they do, or the position they're in or why they make certain choices, then you can get behind them.

So many directors these days direct by design and shoehorn you into things - direction or blocking - that they had in mind previously. They're short on time and they want to get that over with so they can get onto the finer details of a play.

I grew up doing plays - I went to a stage school after school - and it's always something that I've wanted to do, but, in a weird way, if you do television and film and you didn't go to drama school and don't have a theatrical background, it's hard to get your foot in the door. In the same way that it is for theater actors to get into television and film. There's a weird prejudice that goes both ways.

It almost feels like a movie or a- I know it's been said many times - that cable television is the new novel kind of thing - but it does feel like that.