It's amazing. It's actually build from old Siemens Telefunken transistors from the 60ties. There is like 10 in there. It's the most powerful distortion you can have. It does not only do distortion, it does so many weird things. You can't control it, it's sound different all the time. But it's an endless source for fantastic sounds. For example the track "Transit" is entirely made with this box. You have to put the guitar sound in. It's like a pedal.

It's amazing. It's actually build from old Siemens Telefunken transistors from the 60ties. There is like 10 in there. It's the most powerful distortion you can have. It does not only do distortion, it does so many weird things. You can't control it, it's sound different all the time. But it's an endless source for fantastic sounds. For example the track "Transit" is entirely made with this box. You have to put the guitar sound in. It's like a pedal.

It's true that laptop performances can be boring for the audience. The problem is, the organizers of events are still putting us on the classic "rock stage," instead of trying to find new ways to present the music.

I grew up in a small village close to a big lake. There are heavy winds there, and they always sound different. I like these sounds best.

I really don't want to become a "member" of a band anymore. I really enjoy having total control over my music and productions.

For me, noise is not something I use to shock, or because it's funny, or weird, or whatever. I use it because I find it beautiful.

No more "band psycho" stuff for me. I'm fine without it.