However well you know the French language you've learnt it the wrong way, not as a native speaker would. That's my problem as well.
Christian Karlson SteadMy literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
Christian Karlson Stead