Designing is always on the mind of a designer, and as I was saying it's a sort of digestive process, so I usually keep it to myself unless I'm collaborating with someone because explaining all the things that are going on in your head can be quite exhausting, especially in the early stages of a project.

I'm always taking into consideration how the shoe will look on the foot, its relation to the ankle and the leg - that's very important. I often see shoes that seem interesting or nice until a woman puts them on. then a lot of shoes look very clunky, and nobody likes to see that.

People ask me all the time, 'How can I walk in these heels?' I answer with the best compliment I remember that came from a woman who lives here in Paris...I know my street much better. Heels permit me to take the time to look at the architecture of my street. Now I take time to look at things.' High heels give you time to think, to look at your surroundings- a camel has seen more in life than a very quick horse! Women should live to rhythm of high-heeled shoes!

The thing I always try to remember is that feet are attached to the leg, and that you must prolong the silhouette. The shoe elongates the leg and does it discreetly. The goal is to get people to look at a woman's legs. It's all about the leg. No, it's not about the leg. It's about the woman.

During breakfast there is something I cannot resist, apart from my boyfriend - it's actually the phone. I have a phone breakfast. Always. I call friends, boyfriend, family. Checking who is where. 'Is everything fine?' This is breakfast.

I really have not so much sympathy. If Tina Turner and Prince's back-up band can perform on stage in them for three hours, you can't tell me they are impossible to walk in. High heels are pleasure with pain. If you can't walk in them, don't wear them.

I guess being French, I love Hollywood. I love Hollywood movies. Joseph Mankiewicz's 'All About Eve.' 'Mildred Pierce.'