A woman can carry a bag, but it is the shoe that carries the woman.

Listen, to appeal to someone else you might put on a pair of shoes that you don't like or a dress you don't like. But there's no way you're going to put on a perfume you don't like; it's too personal.

When you sketch a shoe but don't have the intention to do a proper shoe, it remains a curvy sketch with no detail. The shoe completely morphs to the body.

Everyone has their dates. For me, it's 1991. I can place every memory of my life either before or after this date. It's the year I became an adult. My mother died, and I created my company shortly thereafter. I definitely would not have done it if she hadn't passed away.

I wouldn't take it as a compliment if someone looked at one of my shoes and said, 'Oh, that looks like a comfortable shoe.' There is a heel that is too high to walk in, certainly. But who cares? You don't have to walk in high heels.

Even if you don't like colours, you will end up having something red. For everyone who doesn't like colour, red is a symbol of a lot of culture. It has a different signification but never a bad one.

[While designing] I'm mixing two lines of thought really: me as a designer for women and then me as a man. At the start of the design process it's the designer for women that comes to the forefront - sketching and revising the silhouette. Then the man comes into the picture - and I look at the shoe from a very masculine point of view. Then there is a conflict between the two sides of me. Sometimes the man wins, and sometimes the designer wins.