You can get so many sounds out of one record. Every record can be used in some way.

I've worked with collage a lot. And there's this chance thing that happens - you don't always control things. Why did you find this today and not this? But you've got this thing, and you make it work. It's the way life is, I suppose. Whatever happens, you deal with it.

It's good to get away from the editing suite. It's very unhealthy to be sitting in front of the screen for too long.

You can get so many sounds out of one record. Every record can be used in some way.

When you take something apart, you get a great sense of what it took to originally put it together.

People who care about records are always giving me a hard time. I mean, I would destroy records in performances, and break them, and whatever I could do to them to create a sound that was something else than just the sound that was in the groove.

Record Without A Cover' was about allowing the medium to come through, making a record that was not a document of a performance but a record that could change with time, and would be different from one copy to the next.