A silly comedy needs a straight guy, and that guy needs to be as straight as possible. The moment you start playing straight you're not straight anymore, you're bent straight, so it really requires the usual serious, straight-forward analysis and research, looking into it and finding the dramatic function, all of what you do until you feel you've collected enough points to safely and securely play the part.

I'm open to working anywhere, but not on anything.

You can't always do the extraordinary, in between you have to do the ordinary. Because if you didn't, what would constitute the extraordinary?

I used to hate exposure situations. What is generally referred to as 'red carpet.'

I'm very bad with improvisation. I hate it.

I go with the most interesting thing that comes my way,I don't expect it to come from India to tell you the truth, but if it did, fine by me.

There are plenty of people over there who understand the difference. And there are plenty of people over here who understand the difference. It's still one world and it has been for a long time.