There is quite an important director in Germany who I think in the early fifties over here, and then went back, and he said something that's absolutely true. And it's more important to repeat that today than it ever was. Not for you, but for us over there it is important. He said, 'In America they make movies like art, and sell it like commodities. We make make movies like commodities and sell them like art.'

If I jumped into the cliché, everybody will have seen it before. If I stick to my ignorance a little bit, maybe, maybe it will turn out different. Or maybe a slightly new aspect to a comic book villain.

You know, I don't support esoteric approaches to acting.

Mine is studying script and being very academic and trying to be important.

I have my brain switched on and I might be thinking something else but we've come to an arrangement. That sort of play is maybe easier with someone who also thinks that way. But that is not necessarily a national thing, but maybe a little bit of a cultural thing.

It's the economics, that's why opera is not dying but gets more and more difficult to put on.

For me, personally, there is one really interesting thing. You're all a bit too young for that, but when you get to a certain level of experience, accumulation of experience you start slowly to once in a while get a whiff of the feeling, I'd love to be twenty years younger but with what I know and have experienced at this point.