I don't like to read novelizations of movies.

The villain is usually the most interesting part. But it has to be a smart thing. Just dumb cliché villains with a Russian accent and big muscles and a mean face, I don’t know. My Russian accent isn’t that great, and the muscles aren’t that big and the mean face is not enough. You know what I mean? It gets very boring. Tedious stuff.

For me, personally, there is one really interesting thing. You're all a bit too young for that, but when you get to a certain level of experience, accumulation of experience you start slowly to once in a while get a whiff of the feeling, I'd love to be twenty years younger but with what I know and have experienced at this point.

Effortless [performance] and improvisation are two different things. Just because it's improvised doesn't mean it's effortless and just because it's effortless doesn't necessarily mean it's improvised.

You know, I don't support esoteric approaches to acting.

I don't like to read novelizations of movies.

You can't always do the extraordinary, in between you have to do the ordinary. Because if you didn't, what would constitute the extraordinary?